William Thornton - The U.S. Capitol and Beyond
William Thornton (1759-1828) would make a unique mark on architecture in Washington, DC, and Virginia. The power of time and place would favor his remarkable life. He was born in 1759 on a family plantation in Tortola, British West Indies. Educated in Britain, Thornton received a medical degree from the University of Aberdeen. One of his interests was architecture, which he received extensive exposure to during his studies. Thornton, back in Tortola, took up the 1792 challenge to submit a design for the capitol in the new emerging Federal City.
Even though his 1793 design was one month late, President George Washington and secretary of state Thomas Jefferson were impressed by his plan. Washington used his considerable influence to have Thornton's design chosen. While the design concept was imposing, the need for a working set of drawings was problematic in estimating costs and building the new U.S. capitol. The situation created a tangled problem of bringing others into the mix to provide finished plans and bring the costs under control. Once again, Washington would use his power as President to get the designs back to the creation of the quiet grandeur of Thornton's federal (1785 to 1820) design with its Roman neoclassicism that had made such a strong impression.
The need to establish the principal buildings in the federal city would allow several European architects to come to America to make their mark. This new federal era was the dawn of the professional architect in a society that had previously relied primarily on gentlemen architects who used pattern books from London for mostly residential building. However, the roller coaster experience of working in Washington would ebb and tide with the relentless politics and fluctuation of the economy. William Thornton became an American citizen and one of the few that came out ahead of the process. A visionary, he had education, wealth, and social connections on his side.
William Thortons work with George Washington would be the keystone to his success. Even with its problematic beginnings, the capitol would expose him to several esteemed projects, two of which were for the Washington family. During the capitol process, Thornton landed the design for the highly anticipated 1799 project that became known as the Octagon House. Barely a block away from the new White House, the Octagon was also a beacon of light for other high-profile projects. Like-minded owners and builders want to share these locations, raising the value of their surrounding lots. The client, John Tayloe (1770-1828), was from one of Virginia's wealthiest and most prominent families. The location on an irregular lot formed by angled streets created design challenges that made the unique solutions part of the Octagon's acclaim.
The Octagon House, completed in 1801, is located at 1799 New York Avenue in Washington, DC. The three-story brick house is a design transition from the more familiar late Georgian of the time to the Federal architecture and planning that followed. A prime example of Federal architecture in the early United States, the floor plan is a thoughtful use of a circle, two rectangles, and a triangle with a new disciplined restraint of the interior and exterior decoration. After the British destroyed the White House (1814) during the War of 1812, the Octagon House served as the temporary residence of President James and First Lady Dolley Madison for six months.
The Washington connection would bring Thornton to create a design for Woodlawn Plantation. The 2000-acre site was a 1799 gift to his nephew, Lawrence Lewis, and his new bride Nelly Parke Custis - granddaughter of Martha Washington. The Federal-style house was constructed between 1800 and 1805 and intended to be viewed from Mount Vernon. Woodlawn's design is an interesting contrast to the evolving architecture of the time. Mount Vernon, which embraced its roots as a family home, grew with the original house and two significant additions to become the 1799 mansion we see today. As a result, Washington had to work around the eighteenth-century ideal of symmetry with some significant compromises to make the best of the situation. However, Woodlawn had the advantage of being designed and built all at once to achieve the classic goal of balance and symmetry of the newly emerging federal architecture that Thorton was part of with the development of the new Federal City.
William Thorton and the Washington family connection continued with the Martha and Thomas Peter 8 1/2 acre Georgetown property in 1805. Martha Parke Custis, granddaughter of Martha Washington, would use her inheritance from the Washington estate to purchase the property. Both Thornton and Thomas Peter were avid horse racing owners and breeders. For Tudor Place, Thornton interpreted Palladio's forms dominating Europe in a Federal, American style. The house's five-part structure, with a two-story central block and low hyphens connecting to higher, two-story wings, followed a form prevalent in the Chesapeake region during this Federal time period. The domed, marble-floored Temple Portico is the house's most architecturally significant feature. Thornton clad the brick house's stucco exterior to resemble blocks of finished stone, a technique used at Mount Vernon. Coated with a golden lime wash, against which scored lines in the stucco were picked out with white lime to resemble stonework joints.
President Jefferson appointed Thornton the first Superintendent of the Patent Office. When Washington was burned by the British in 1814, Thornton convinced them not to burn the Patent Office because of its "importance to mankind." He held the Patent Office position from June 1, 1802, until he died in 1828 in Washington, DC. During his tenure, he introduced innovations, including the patent reissue practice, which still survives. In addition, Thornton's lifelong interest in horse racing, breeding, and importing new breeds played a significant part in his later years. A small elite circle in Virginia and Maryland dominated racing, joined by Thornton's 1802 Jockey Club and racetrack in the new Federal City. These contacts helped William Thornton survive the intense political and financial maneuverings that sunk the architectural careers of many of his contemporaries and competitors.